This diptych started with two ideas. First, I have always loved prints (my mother and step-mother were both artists who made
prints using woodcut and etching techniques) and was interested in creating some paintings which had the same "feel"
as prints. Secondly, I became interested in having some areas of my paintings be solid black, which I had never done
Notes on the individual paintings:
Absence (I): I painted this one first. Early on, I applied masking to the leaf shape while painting the areas
around it (see "
Developing an Image" for a discussion of masking). I had originally intended to fill in and color the leaf
shape, as I wound up doing in "Emergence", however, when I removed the masking, I was so taken with the starkness
of the empty, white leaf shape that I left it just as it was, and changed the direction of the painting accordingly.
All paint used here is acrylic except for the burnt sienna marks which are watercolor (I needed to use watercolor to get
them to "bleed"). The "woodcut" texture in the black band running horizontally across the center of the painting
was produced by a linoleum block, hand-cut with wood texture marks, which I inked with acrylic paint then pressed
on the paper to make the repeating pattern.
Absence (II): Only after completing the first painting did it occur to me to paint another painting to serve as
the second in a pair. My intention with this painting was to continue the composition from the first painting and
use the same limited color palette, but make it different enough to be interesting.