When working out the painting's design, I liked the design sense of the branches intertwining, but hadn't thought of them
forming a woven tapestry until later when I found this quote, which inspired the painting's title:
"We make every effort to keep things as they are, because human beings, alone, lament transience. Yet no matter how
we grieve or protest, there is no way to impede the flow of anything. If we but see things as they are and flow
with them, we may find enjoyment in transience. Because human life is transient, all manner of figures are woven
into its fabric."
The leaf images were formed by pressing real leaves into wet acrylic paint, allowing them to dry in place, then removing
the leaves, leaving their impressions. The gradual dark-to-light gradient at the top and bottom was done, not with an
airbrush, but with my favorite low-tech tool, spattering from a toothbrush.